She forced a laugh. “Why shouldn’t it come true?” she asked. He knew the thief, the grandchild of an old bedridden dame who lived some miles away on the edge of the moor. The old man stood long, watching the small cloaked figure till it was lost in the darkness. It was not till he lay upon his dying bed that he confessed it. But each evening, from that day, he would steal into the room and see to it himself that the window was left ajar.!

“He tried to be shy with me,” said Mrs. Phillips, “but I wouldn’t let him. I chipped him out of it. If he’s going to write plays, as I told him, he will have to get over his fear of a petticoat.” She concluded by giving Joan a hug, accompanied by a sloppy but heartfelt kiss.

It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. “Don’t be so silly,” she cried. “There’s nothing going to happen. You’re going to get fat and well again; and live to see him Prime Minister.” “You mean,” she asked, “that they force themselves upon you, even if you make it plain—”